Grażyna Bacewicz's music has no gender

There is a paradox of history in the discovery of her music by the world. When Grażyna Bacewicz began her composition studies at the Warsaw Conservatory almost 100 years ago, her colleagues smiled and told her that she had entered the wrong door because she had entered a class for men. In the 21st century, the interest in her work abroad does not fit into the trend of making up for the mistakes of the past resulting from the underestimation of women's creative potential. It should be said about her music that it has no gender.